DEBUT ALBUM!
JEROME JENNINGS: The Beast
NOW AVAILABLE!
TRACK LISTING:
Love The Drums (5:14)
Cool It Now (8:47)
Ice Cream Dreams (5:16)
You Don’t Know What Love Is (6:30)
Did You Call Her Today? (7:43)
The Core (10:09)
Cammy’s Smile (7:09)
The Beast (4:57)
New Beginnings (6:44)
Tracks 3, 7, 8, 9, written by Jerome
PERSONNEL:
Sean Jones - trumpet/flugelhorn
Dion Tucker - trombone
Howard Wiley - tenor saxophone
Christian Sands - piano
Christian McBride - bass
Jazzmeia Horn - vocals
Produced by Jerome Jennings
Executive Produced by Jerome Jennings
SHORT DESCRIPTION OF THE TUNES
LOVE THE DRUMS - Props to my friend, bassist, and composer Jon Burr for writing this tune with me in mind. The title says it all. Not only do I love the drums, but I also love to play shuffle grooves.
COOL IT NOW - "Ronnie, Bobby, Ricky, and Mike..." one of the most important influential R&B vocal groups: New Edition! Actually, this was the first musical group my parents took my brother and me to see at a very popular music hall in northeast Ohio called The Front Row (it no longer exists). Side note: respect to Johnny Gill (who wasn't in the group yet when we saw NE).
ICE CREAM DREAMS - Between the months of May and August, there is one tune that puts a smile on every kid's face on almost every block in this country. "The Ice Cream Man is coming!!!" The Mister Softee theme is the most ubiquitous tunes I heard while living in Brooklyn, NY. It has a catchy and infectious ring, but most importantly, it makes kids happy and laugh. I would see kids joyfully running to the ice cream truck outside of my window.
YOU DON'T KNOW WHAT LOVE IS- This is a classic standard by Don Raye/Gene de Paul. We are all in search of affirmation and love. This arrangement is by Curtis Fuller. I replaced the top trumpet voice with the fantastic vocalist Jazzmeia Horn.
DID YOU CALL HER TODAY - This swinger is from the pen of Ben Webster. My mom and I have always been really close. Once I moved to the East Coast, we became even tighter. I suspect it was because of the distance. I tried my best to call her every day to let her know I was alive and well. This tune is dedicated to her and her constant support.
THE CORE - This is one of my favorite tunes. Art Blakey and The Jazz Messengers recorded this on one of my all-time favorite records, "Free For All." Freddie Hubbard wrote this tune commemorating the Congress Of Racial Equality (CORE). The CORE organization played a pivotal role for African Americans during our struggle for Civil Rights during the 1950s and 60s. Its stated mission was "to bring about equality for all people regardless of race, creed, sex, age, disability, sexual orientation, religion or ethnic background." Many jazz musicians performed at CORE benefits during the 1960's.
CAMMY'S SMILE - When I moved to the East Coast in the fall of 2002, I was blessed to befriend drum great Tony Reedus. The next year, he invited me to his place for Thanksgiving. His then-fiancée (they later married in 2006), Niecy Grice, treated me like family from day one. They soon had a child, a beautiful girl named Cameron. In November of 2008, Tony unexpectedly passed away. Needless to say, this was a very sad time for the family, and our music community was hit hard by the loss of one of the great ones. The year that Cameron Reedus lost her father, she was only five years old. Little Cammy's consistent upbeat attitude and smile was a great source of encouragement. This entire tune represents a conversation between Cammy (the muted trombone) and Reedus (the tenor saxophone).
THE BEAST - This tune was inspired by a troubling encounter with a Mercer County (NJ) police officer. Mom advised me to "put the emotion you felt in a song." Everything that happens in this piece is significant. The drum roll at the beginning represents me driving. It slows down as I pull over to the side of the road. The horns represent me, and the rhythm section represents the officers cutting me off as I try to explain what I'm doing in that particular neighborhood at 2 am.
NEW BEGINNINGS - This is a piece that I composed with the encouragement of my friend and mentor, Victor Lewis. The title represents a dual meaning: the beginning melody is stated by all of the horns, while at the 'B section,' each band member passes each phrase around, creating a new sound or new beginning before we all unite for the climactic last 8 bars before the last 'A section.' I only hope to show that as individuals, we can accomplish amazing things, but together, we can do even more. Educator, activist, and actor Jesse Williams gave a courageous speech this year at the 2016 BET Awards. I've included excerpts of it at the end of the piece. I believe that it’s time for a new beginning in our country as well.